Richard Morrison has created the film titles for Tim Burton’s “Dark Shadows.” It’s the third collaboration between Burton and Morrison, following on from the pair’s work together on the opening sequences for “Batman” and “Sweeney Todd.” The sequence was produced by th1ng, which exclusively represents Morrison for film titles design, world-wide. Morrison and th1ng […]
Read moreVia eyemagazine.com Title sequences of the 1950s and ’60s grabbed moviegoers with psychological insights, orchestral violence and some lessons learnt from the early pioneers of animation, for whom motion graphics, sound and story were inseparable. By Joel Karamath Title sequences have reached an unprecedented level of attention, with vast numbers of design studios dedicated to […]
Read moreby Noell Wolfgram Evans A night at the movies once went like this: you’d arrive at the theatre, see a short subject, a cartoon, a smaller (B) movie and then the main feature would dance across the screen followed by a slate of coming attractions. Over time and for a variety of reasons this bill […]
Read moreBAFTA-nominated titles designers Nic Benns and Miki Kato of Momoco take us behind the the art of creating eye-catching opening credits. http://www.moviescopemag.com/features/the-power-of-opening-credits Question: What do Dexter, True Blood and The IT Crowd have in common? Before you start wondering about serial killers, vampires and computer geeks, rewind a bit. Answer: They are all TV shows […]
Read moreLooking to visually communicate the mythology of ”The Green Lantern” in a compelling way, studio Warner Bros. and director Martin Campbell turned to multi-disciplined creative design/visual effects studio yU+co, led by Creative Director Garson Yu, to design a :90 stereoscopic 3D main title sequence that not only grabbed the audience’s attention, but also brought them […]
Read moreLooking to visually communicate the mythology of ”The Green Lantern” in a compelling way, studio Warner Bros. and director Martin Campbell turned to multi-disciplined creative design/visual effects studio yU+co, led by Creative Director Garson Yu, to design a :90 stereoscopic 3D main title sequence that not only grabbed the audience’s attention, but also brought […]
Read more
The Dunwich Horror is a 1970 B-movie from American International Pictures directed by Daniel Haller and produced by Roger Corman. The film was based on the short story of the same name by H.P. Lovecraft with a script co-written by future Academy Award winning director Curtis Hanson. Sandy Dvore is an American artist and graphic […]
Read more
Sabotage, also released as The Woman Alone, is a 1936 British thriller film directed by Alfred Hitchcock. It is based on Joseph Conrad’s novel The Secret Agent. It should not be confused with Hitchcock’s film Secret Agent released the same year, or his 1942 film Saboteur.
Read more
Billion Dollar Brain is a 1967 British espionage film directed by Ken Russell and based on the novel Billion-Dollar Brain by Len Deighton. The film features Michael Caine as secret agent Harry Palmer, the anti-hero protagonist of the film versions of The IPCRESS File (1965) and Funeral in Berlin (1966). The “brain” of the title […]
Read more
The Trollenberg Terror is the title of both a 1956 “Saturday Serial” ITV UK television programme and a better-known 1958 black and white science fiction film. The latter is also known as The Crawling Eye, Creature from Another World, The Creeping Eye, and The Flying Eye. Both versions are directed by Quentin Lawrence and feature […]
Read more