Four minutes montages of Laurent Brett’s best work with main titles for movies such as OSS 117, The Artist, Hostages and more. Laurent Brett started to work in 1993 in the video and commercial business at Bandits production as a post supervisor. After 4 years spent in the dark rooms of post companies, he started […]
Read moreDesigned by Leonie Savvides, the main titles play like a dollhouse version of Lars von Trier’sAntichrist, as well they might, considering their shared DNA: rage against the patriarchy, foreboding forest creatures, and a color palette washed of all happiness. The opening image is a sight of the titular lake, based on a painting by Séraphine […]
Read moreI admit it. I binge-watched the Netflix series “Orange is the New Black” last week. Aside from the compelling character development, the spot-on production design and value and suck-me-in-and-never-let-me-go storylines, the opening title sequence is its own little masterpiece. It features closeups of faces of actual female prisoners — complete with tattoos, piercings and bad […]
Read moreThis is the end credits sequence from Disney’s “Princess and the Frog” which I was the lead artist on. Team credits include: Lorelay Bove (design) Jeremy Spears (storyboards) Eric Daniels (effects) Joey Mildenberger (effects) Bob Bennett (effects) Mario Furmanczyk (animation) Erik Fountain (animation) Clio Chiang (animation)
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