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Sarofsky created a look that was totally new and unique in the Marvel Universe. They drew inspiration from the production design surrounding the Pym Particles, which are contained in a glowing, beautiful red liquid. Their solution allowed us to both connect visually to the film without feeling like just another scene in the movie and […]
Shine designed and animated a main title for “The Vow.” The neon Music Box theater sign was created and modeled entirely in 3D. Each credit was animated to suggest the idea of disappearing memories. This was the second sequence that Shine has created for director Michael Sucsy. Shine revealed the titles by integrating the type […]
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (commonly known as Dr. Strangelove) is a 1964 black comedy film directed by Stanley Kubrick, starring Peter Sellers and George C. Scott, and featuring Sterling Hayden, Keenan Wynn and Slim Pickens. Loosely based by screenwriter Terry Southern on Peter George’s Cold War […]
The true life story of paranormal investigators Ed and Lorraine Warren working to help the Perron family, who are terrorized by a dark presence in their farmhouse. Credits: Client: Warner Bros., New Line Cinema, Evergreen Media Group, The Safran Company Director: James Wan Live Action Direction, Design, Animation, Compositing, VFX, Production: Aaron Becker ( aaronbecker.tv […]
VooDooDog is an award winning Emmy nominated studio adept in animation, 2d, 3d and stop-motion, live action and motion graphics. The company was founded in 2003 by producer David Z Obadiah and creative director Paul Donnellon. Senior designer is Andrew White. BAFTA, PACT and ATAS members. http://www.voodoodog.com/
The Dunwich Horror is a 1970 B-movie from American International Pictures directed by Daniel Haller and produced by Roger Corman. The film was based on the short story of the same name by H.P. Lovecraft with a script co-written by future Academy Award winning director Curtis Hanson. Sandy Dvore is an American artist and graphic […]
An emerging journalist (Jesse Eisenberg), an experienced cameraman (Terrence Howard), and a discredited reporter (Richard Gere) find their bold plan to capture Bosnia’s top war criminal quickly spiraling out of control when a UN representative mistakes them for a CIA hit squad in a light-hearted
Marvel charged Blur to conceptualize and produce a memorable end credits sequence for this highly-anticipated sequel. Powerful brush strokes and a bold color palette create unique illustrative moving paintings that come to life in stereo 3D.
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