Opening titles for “CIVIL 80”, a documentary TV series about the Spanish civil war

itle sequence for Eleventh Hour Films and Sony Pictures Alex Rider Music: Samm Henshaw, The World Is Mine

Production company: Fifty Fathoms and Sky Studios Music by Samuel Sim Zbrush modeling by Greg Lawrence

Director Jake Scott invited StudioAKA to create animated inserts and a title sequence for his feature documentary; examining the preparation and training behind Eluid Kipchoge’s extraordinary sub two-hour marathon run in Vienna on October 12th 2019. The film explores the fascinating and inspiring story of Kipchoge’s success, which captivated people around the globe, and was

IM LAUF DER ZEIT is one of the most personal portraits of the former German Chancellor. The documentary takes some time to show the staying power of the exceptional politician Angela Merkel and explores fundamental questions. The team from BROADVIEW Pictures embarks on a biographical-political search for traces. It draws the patterns of mentality and

Surreal film telling the story of strange characters moving around in a complex choreography of interlaced paths. Official Opening Titles for Offf Festival 2017, and an hommage to Oscar-winning 1982 film “Tango” by Zbigniew Rybszynski. CREDITS Directed by : Julien Vallée & Eve Duhamel Produced by : Sailor Productions Cinematographer : John Londono Choreographer :

Design Company: Prodigal Pictures Creative: Danny Yount & Jose Ortiz Artist: Billy Koak, Eseraele Alemu, Darren Sumich, & Elias Glasch

Our researcher Richard Kroll (Dawn of the Dead, Argo) tracked down war photographers and gained exclusive images for us. The news anchor was shot for the sequence and we also produced screen graphics, including news bulletins throughout the film. Design Director: Nic Benns Art Director: Miki Kato Researcher: Richard Kroll Research: Fred Thoraval, Pierre Morel

“The Magnificent Seven” main-on-end title sequence for MGM, Sony and director Antoine Fuqua Shine designed, edited and animated the main and main-on-end title sequences for The Magnificent Seven. The sequence visually establishes the world of the Seven, and re-introduces each character. The imagery of land ownership and property deeds is a visual story thread woven

For Queen Sugar we collaborated with critically acclaimed director Ava DuVernay to design a moody title sequence for her stunning, modern family drama series on the Oprah Winfrey Network. We set out to capture a detailed and beautiful view of the process of making sugar. During harvest cane fields are burned to remove leaves and

Marvel charged Blur to conceptualize and produce a memorable end credits sequence for this highly-anticipated sequel. Powerful brush strokes and a bold color palette create unique illustrative moving paintings that come to life in stereo 3D.

Sarofsky created a look that was totally new and unique in the Marvel Universe. They drew inspiration from the production design surrounding the Pym Particles, which are contained in a glowing, beautiful red liquid. Their solution allowed us to both connect visually to the film without feeling like just another scene in the movie and depict

The creative process spanned almost four months, involving upwards of 30 artists and producers, who worked closely with Kleinman to define the images, style and tone of the sequence. For teams accustomed to creating shorter, snappier commercial spots, the Bond titles are a chance to approach the work in a different way: ‘There’s more scope,