Surreal film telling the story of strange characters moving around in a complex choreography of interlaced paths. Official Opening Titles for Offf Festival 2017, and an hommage to Oscar-winning 1982 film “Tango” by Zbigniew Rybszynski. CREDITS Directed by : Julien Vallée & Eve Duhamel Produced by : Sailor Productions Cinematographer : John Londono Choreographer :

Design Company: Prodigal Pictures Creative: Danny Yount & Jose Ortiz Artist: Billy Koak, Eseraele Alemu, Darren Sumich, & Elias Glasch

Our researcher Richard Kroll (Dawn of the Dead, Argo) tracked down war photographers and gained exclusive images for us. The news anchor was shot for the sequence and we also produced screen graphics, including news bulletins throughout the film. Design Director: Nic Benns Art Director: Miki Kato Researcher: Richard Kroll Research: Fred Thoraval, Pierre Morel

“The Magnificent Seven” main-on-end title sequence for MGM, Sony and director Antoine Fuqua Shine designed, edited and animated the main and main-on-end title sequences for The Magnificent Seven. The sequence visually establishes the world of the Seven, and re-introduces each character. The imagery of land ownership and property deeds is a visual story thread woven

For Queen Sugar we collaborated with critically acclaimed director Ava DuVernay to design a moody title sequence for her stunning, modern family drama series on the Oprah Winfrey Network. We set out to capture a detailed and beautiful view of the process of making sugar. During harvest cane fields are burned to remove leaves and

Marvel charged Blur to conceptualize and produce a memorable end credits sequence for this highly-anticipated sequel. Powerful brush strokes and a bold color palette create unique illustrative moving paintings that come to life in stereo 3D.

Sarofsky created a look that was totally new and unique in the Marvel Universe. They drew inspiration from the production design surrounding the Pym Particles, which are contained in a glowing, beautiful red liquid. Their solution allowed us to both connect visually to the film without feeling like just another scene in the movie and depict

The creative process spanned almost four months, involving upwards of 30 artists and producers, who worked closely with Kleinman to define the images, style and tone of the sequence. For teams accustomed to creating shorter, snappier commercial spots, the Bond titles are a chance to approach the work in a different way: ‘There’s more scope,

As disciples of soul, we loved creating the opening titles for Film First’s documentary, “Mavis!” celebrating iconic gospel singer and civil rights activist, Mavis Staples. Still doing her thing at 75, Mavis is truly a living legend whose enduring stage presence is celebrated in Jessica Edwards’ film that premiered at the SXSW festival in Austin

A new drama series from writer/director Mahmoud Sabbagh. CASH traces the meteoric rise of a Saudi Arabian pro footballer, from the slums of his youth to the stadiums and glamour of his new life. But fame and success come with a price. Director: Liam Oconnor / Mina Song Client: Mahalyoon (Mahmoud Sabbagh) Studio: Picnic Studio Credits Producer: Lundi Shackleton

Directed by Nicolas Bary produced by Chapter Two and Pathé. Design by Gilles Pointeau CG artist: Gilles Pointeau & Jean Philippe Saintherand Fume Artist: David Picarda Music: Diamonds by Ben Howard. www.fuguprod.fr

Directed and animated by: Mario Addis Graphic design: Franco Matticchio Music: Evan Lurie Coloring: Rosy Tesè

Client : SBS Credit: Creative Director: Taiho Roh (Daft) Art Directior : Taiho Roh (Daft) Design & Motion graphic Artist : Taiho Roh(Daft) ‘MAINCONCEPT’ is a design studio based in Seoul. Producing all media content based design including : Advertisement, Broadcasting Design, Branding, Film, Interactive design www.mainconcep-t.com

Closing credits of the film Brincante.

Directors & Concept: Jonas Lindman and Oskar Gullstrand, NAIVE Art Director: Linus Kullman Animation: Linus Kullman and Oskar Jonsson Compositor: David Nalci NAIVE is a multi-faceted prodution company for Animation, Tv and Film with sharp competence in concept and character development, graphic design, 2D and 3D. The company is driven by Andreas Öhman and Jonathan

From the 1967 Rex Harris film, a lovely artistic title sequence that exemplifies mid-century modern shapes and colors. Gorgeous.

Here is the title sequence of the film “Dealer” of Jean-Luc Herbulot, I did a while ago : ) now that the film is released, I can share it with u! : ) Music is from Reksider :) imdb of the movie: http://www.imdb.com/title/tt3670826/ Cheers ^^;

Main title for 3 Days to Kill directed by McG. The concept is based on the split-screen and it take us on a nostalgic trip in Paris with Kevin Costner.

Through a mix of live action plates, CG elements and motion graphics, We are Royale provided a unique perspective on the world. Taking this even further, the first and last shot of the sequence will change for each and every episode.

As the title of the movie is “Trekant”, which means triangle and threesome in Swedish, Kompost decided to use triangles as metaphor for the threesomes. The animations should represent what is going on in the minds of the live action counterparts, which where all high school students. Client: Diaperdog Pictures Animation Studio / Production Company:

Directed and Designed by: Craig Kellman and Pete Oswald Animation by: Mark Caballero, Seamus Walsh, Christopher Finnegan, Kelly Mazurowski, Robin Walsh Clean-up by: Mahesh Bhosale Add’l character design: Andre Medina Add’l  background design: Justin Thompson, Aaron Spurgeon

The true life story of paranormal investigators Ed and Lorraine Warren working to help the Perron family, who are terrorized by a dark presence in their farmhouse. Credits: Client: Warner Bros., New Line Cinema, Evergreen Media Group, The Safran Company Director: James Wan Live Action Direction, Design, Animation, Compositing, VFX, Production: Aaron Becker ( aaronbecker.tv

The Jack Stupid  developed title sequence to promote the new album of the italian band, Anewrage The Jack Stupid is a creative collective set in Milan and São Paulo. They make film, design & tailor made music. www.thejackstupid.com

All Hail the King. Writer/Director Drew Pearce gave Perception an unusually fun brief, referencing everything from Dr. No to obscure Kung-Fu exploitation films. This bold and dynamic sequence was never intended to retell the story, but to suggest further possibilities within the Marvel Universe. In addition to the title sequence Perception was also tasked with

A No Magnolia Film Directed by Tom Greenidge No Magnolia Productions based in Reading, UK, producing videos for a variety of different clients ranging from nonprofits through to large entertainment and media companies. www.nomagnolia.tv

Director : Juan Solanas Production : Onyx Films Post-Production: Forêt Bleue Music : Benoit Charest Moustache, a Paris based creative production studio that crafts commercials, music videos, digital contents, title sequences and shorts films. Moustache is the director duo made up by Hugo Ramirez and Olivier Patté. www.lesfreresmoustache.com

th2ng is a live action commercials production company based in the heart of London’s Soho. th2ng make commercials, brand films, music videos and other things too… th2ng is part of th1ng Corp Ltd., which also includes th1ng, Film Club Productions and Flux th2ng.com

MODEFY is the work of Austrian-born director, animator and visual artist Mo Stoebe. Using live-action elements Mo creates ever evolving visual structures and patterns into highly graphic film and video. Mo holds an MA from the Royal College of Art and spends his time between Europe and the US. http://www.modefy.com

The making of Les Seigneurs

Studio: Summit Entertainment Director: Dean Parisot Creative Director: (Method Design) Steve Viola Producer: (Method Design) Dan Masciarelli The Method Design team was tasked with creating comic-styled main titles, transitions, and end titles for Red 2. As a follow up to the highly successful Red, the sequel reunites Bruce Willis, Helen Mirren and John Malkovich who return for more aged

Studio: Summit Entertainment Director: Dean Parisot Creative Director: (Method Design) Steve Viola Producer: (Method Design) Dan Masciarelli The Method Design team was tasked with creating comic-styled main titles, transitions, and end titles for Red 2. As a follow up to the highly successful Red, the sequel reunites Bruce Willis, Helen Mirren and John Malkovich who return for

Vfx Producer: Jean-François Bourrel VFX Supervisor: Quentin Marmier,  Jean-Charles Kerninon Production manager: Davy Koskas,  Karine Friang Character Modeler :  Vincent Boutry,  Stéphane Dufournier, Selim Mondzie,  Nathalie Gatto Set & props modeler / texture: Laurent Fortin,  Matthieu Ringot,  Olivier Guedj Rigging artist : Maxime Granger,  Matthieu Ringot Layout / Stereo Supervisor: Tim Mendler Layout artist : Tim Mendler, Gaétan Louët, Mikael Lynen, Animator : Rémi Parisse Lighting / Compositing / shading artist : Quentin Marmier,  Jean-Charles Kerninon, Vincent

Client: Summit Entertainment Director: Asger Leth Produced at PIC Designed by Jarik van Sluijs and Hyun Min Bae, Animated by Hyun Min Bae and Garrett Knisley

Opening credits from ‘IL COMPAGNO DON CAMILLO’ (1965) Directed by: Luigi Comencini Starring: Fernandel, Gino Cervi, Leda Gloria, Gianni Garko, Saro Urzì, Graziella Granata, Paul Muller, Marco Tulli, Jacques Herlin, Silla Bettini

Title sequence designed by Saul Bass, from the film “Walk on the Wild Side” (1962), directed by Edward Dmytryk, starring Laurence Harvey, Capucine, Jane Fonda, Anne Baxter and Barbara Stanwyck.

Pablo Ferro has managed to create his own language which is burned into our minds’ eye. Thanks to credit titles for films such as Dr. Strangelove, Bullitt, Men in Black or The Thomas Crown Affair, he has become one of the definitive pillars of audiovisual design and a key reference for fans of the genre.

A 1st pass development of potential title sequence for Madagascar 3. Using aerial views and watercolor travelscapes to show the “Zoosters” journey out of Africa. Music From Madagascar 2 – Once Upon A Time In Africa–Hans Zimmer © 2012 Dreamworks Animation

Title Sequence for the film: ?????Gallants Tribute to the 70’s Hong Kong Kung-fu movie. Title sequence directed by Henri Wong (C) Focus Films Ltd. 2010

Title sequence for Tell The Truth Series . all effects are live taken. few digital retouch and color correction post added. filmed by canon5d markii . ef50 f1/4 , ef100macro. Original music by : Fardin Khalatbari

Documentary director Carles Prats got us involved in this new adventure. This time his focus was on Editorial Bruguera, the home of the emblematic spanish comic “Mortadelo y Filemon” among others. Inspired by the minimalistic environments used commonly in Bruguera drawings, and by enfolding each one of them with delicate and transparent lithographic films representing

Title sequence for documentary film Dagbog fra Midten directed by Christoffer Guldbrandsen. The film follows the turbulent history of danish political party Ny Alliance from birth to downfall. Client: Everest Pictures / Guldbrandsen Film Art direction, design, compositing: Benny Box Music: Halfdan E. www.bennybox.dk

Tomato was founded in 1991 as a collective comprising artists, designers, musicians and writers. the group develops cross platform, multi-media projects; both commercial and research based. Tomato engage in publishing, exhibitions, live performances, public speaking and hosting workshops as well as working with clients in the areas of advertising, architecture, fashion, public installations, music, television,

Client: ZDF – Das kleine Fernsehspiel / Bittersuess Pictures / Filmakademie Baden-Württemberg Production Company: weareflink Director: Alexander Hanowski Producer: Andreas Lampe

Director Dev Benegal said, “As a title sequence junkie, working with Shine was pure heaven. I asked them to look at old trucks, to draw from bold colors, hand painted symbols and text, and pay homage to the classic “the ends” that closed old movies with such flourish. What Shine did absolutely blew me away.

A pure graphic type concept with no compromise !!!! That you can do with only few directors….. Thanx to to Emmanuelle Bercot for this great graphic moment we share.

Date : septembre 2010 BPhoton :  Director / Concept / LIVE SHOOTING Animation / Compositing / 3D Prod : BPhoton SOUND : Walter Mair

Produced by Prologue films Designed by Henry Hobson & Simon Clowes Illustration by Jorge Almedia Additional illustrauon – Lisa Bolan Animation by – Alasdair Willson & Joseph Park Exec producer – Kyle Cooper

Design, animation and compositing for the title sequence of Monika, directed by Steven R. Monroe.

Design & Animation Christian Ruud, Frode Ekeberg Music & Sound Design Kim M. Jensen Producer Michael Markusson

Creative Director / Heebok Lee Executive Producer / Kyle Cooper Producer / Ryan Robertson Production / Jesse Jones, Adam Swaab, Lee Nelson, Reed Casey, Jose Luis, Roy Cullen, Chris Sanchez Editor / Nate Park Produced at Prologue Films

Produced at Big Star Design: Ben Hurand Animation: Eugene Gauran, Curtis Doss

This is an opening title sequence I art directed for Disney’s ultimate Prom movie. We went for a hand-made, stop-motion aesthetic, with hipstamatic photography.

Titles designed by Henry Hobson See more title sequences designed by Henry Hobson – https://vimeo.com/channels/393043

This is a piece of work, that did not make it into the film. the story which is set in the 16th century is a lot about vanity, a sort of female dorian gray approach, I thought. the very bitter ending of the movie with the countess being immured alive should not have ended with

Co-Directors Juliet Rios & Gabe Imlay DP Gabe Imlay Animator Hansel Perez Animator Juliet Rios Editor Gabe Imlay The Wilderness is a creative design practice specializing in motion graphics, animation & live-action. The foundation for The Wilderness’s work is rooted in color, light, space and motion and is a product of co-founders Gabe Imlay and

Maurice Binder was hired to design the title sequence, and was involved in a dispute with Eon Production to have his name credited in the film. As Thunderball was the first James Bond film shot in Panavision, Binder had to reshoot the iconic gun barrel scene which permitted him to not only incorporate pinhole photographic

“In this movie about a professional photographer, seeking his identity in the streets of palermo, I wanted to show the look and feel of analog photography on a big movie screen. we used ultra high rez scans of contact sheets, you can see dust and fingerprints. combined with the sounddesign a very simple yet strong